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If You're Into It, I'm Out of It (1997)

By Eduardo Castaneda
If You're Into It, I'm Out of It (1997)

1990s angst descends into the mouth of a leviathan of apathy - a lost world found out of the grey and into the darker. German producer Christoph de Babalon conjures a mix of dark-ambient and breakcore fitting for an apocalyptic video game, perhaps dealing with everyday life and a hunger for escapism. The opening track, "Opium", drops its anchor of a looming atmosphere, and makes its initial venture into drum n' bass with "Nostep" Welcome to the Graveyard.

The record proceeds to unwind across a collection of breakcore beats which lends itself to one hand of the record as a sword to fend off the inner demons, which unveils an overlord boss as the droning progresses. Slowed crashes and faint, shrieking bombs are heard near the end of the penultimate track, "High Life. (Theme)", with no consolation. The energy of breakcore is regurgitated in, "My Confession", closing this fascinating record. It leaves a reminder that things can happen in cycles and to escape it is a wheel being constantly rolled upwards.

Published: 6/21/2024

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Postmodern Junk

Postmodern Junk delves into the fragmented and ironic world of contemporary arts. Serving as an eclectic digital journal that explores the avant-garde fringes of independent film and music. Featured sights and sounds include: electronica, new wave, punk, jazz, math rock, and folk.

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